WEAM, Miami Beach proudly presents:
The Eroticism of Things. Collections on the History of Sexuality
Duration: December 3, 2019 – March 30, 2020
Opening: Monday, December 2, 2019, 7 pm
What makes things erotic? Is it the explicit depiction of naked bodies and sexual practices? Or is it the implicitly suggestive form, color, and materiality of things themselves? Some things are designated for erotic use from the beginning, others only get eroticized retrospectively.
While nudes have entered many living rooms as replicas of respectable works in the art-historical canon, erotica has often gotten censored, tabooed, and banned. The distinction between eroticism, art, and pornography has always been in constant flux
and continues to sway people’s perception and categorization of sexually charged things.
This exhibition builds upon the collections of the art collector Naomi Wilzig (1934–2015) and the sexologists Magnus Hirschfeld (1868– 1935) and Alfred C. Kinsey (1894–1956). All three collectors considered erotic things documents toward a universal human sexual history. In addition to the case studies, interviews, and
statistical observations Hirschfeld and Kinsey carried out, collecting, sorting, and classifying erotic objects formed a cornerstone of their scientific work on sexuality.
Naomi Wilzig was issue driven and saw her collection as a contribution to sexual enlightenment and liberalization. This exhibition does not replicate each collector’s classification system, it arranges a selection of everyday objects from the collections according to a new set of criteria: agents of love, tools of pleasure, bodies to use and erotica are the key terms. The given object types are complemented with items from the collection of the Werkbund Archive – Museum of Things (Werkbundarchiv – Museum der Dinge).
This show treats the eroticization of things as a cultural practice and attempts to ascertain what gives them their erotic quality. The shape of things, their similarity to the body or its parts and resulting fantasies of touching them are decisive factors in the erotic effects things have, be they natural or man-made. Deliberately or not, the
design of everyday objects regularly draws on primary and secondary gender markers. The tactile promise held by certain materials – among them leather, silk, fur, lacquer, latex, nylon, and metal – seems to be a particularly attractive force. What makes these materials so desirable?
Sexology and psychoanalysis labeled the eroticization of things and fixation on certain objects as fetishism and pathologized that phenomenon for a long time. By contrast, Hirschfeld affectionately referred to erotic things as “agents of love.” Now a whole industry manufactures these things, euphemistically called toys.
The exhibition The Eroticism of Things shows all kinds of different erotic relationships people can enter into with things and treats the eroticization of things as a cultural practice that can play out either implicitly or explicitly, in the imagination or in deed, alone or between two or more people. Certain objects can kindle desire and lust, provoke erotic fantasies, and become tools of pleasure, as an installation by the artist Marc Martin also shows.
The Eroticism of Things was produced by the Werkbund Archive – Museum of Things, Berlin, the Research Center for the Cultural History of Sexuality at Humboldt University, Berlin in cooperation with WEAM, Miami Beach and the Kinsey Institute at Indiana University, Bloomington.